Studio Gecchelin

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  • LaTina citrus squeezer, Fratelli Guzzini, 2003
  • Virgola spotlight, iGuzzini, 1981
  • Ligea battery-operated lamp, Italamp, 2022
  • Mezzaluna floor lamp, DCW éditions, 2024
  • Shuttle track light family, iGuzzini, 1987
  • Vanity spotlight, Raat, 2012
  • Libra two-pan mechanical balance, Rede Guzzini, 1989
  • Light Air — suspended lighting system, iGuzzini, 2000
  • Opera wall light, Antonangeli, 2019
  • FCX fan coil, Aermec, 1989
  • Isotta pasta pot with strainer lid, Fratelli Guzzini, 1997
  • Parallel spotlights, iGuzzini, 1999
  • Meridiana cutlery, Rede Guzzini, 1985
  • Rigoletto floor lamp, Venini, 1990
  • Plus kitchen sink, Telma Guzzini, 1980
  • Green Time gardening set, Fratelli Guzzini, 1990
  • Meridiana knife set, Rede Guzzini, 1987
  • Chef Line colander, Fratelli Guzzini, 1982
  • Gabbiano spotlights, iGuzzini, 1996
  • Nota and Accordo table and chair, Poltrona Frau, 1985

We help companies decide what product to develop, test the design using physical models and take it through to production. Industrial design in Milan since 1976.

Two senior designers.

In the Milanese design tradition, we work directly with our clients: fewer intermediaries, greater effectiveness and consistency.

Bruno and Lorenzo Gecchelin standing side by side against a light wall

The Milanese model

The people who present the design are the people who create it.

Bruno and Lorenzo Gecchelin oversee every project from the first meeting with the client through to production, supported by a network of collaborators, model makers and specialist suppliers built over fifty years of professional practice.

This is the relationship on which Milanese design was built: decision-makers speak directly to designers, and design choices are tested through prototypes. The studio continues to work this way today. For a company, it means a single point of contact who takes responsibility for the project from initial idea to finished product, and scope for exploration that an in-house team often cannot accommodate.

Italian and Milanese design

The studio in numbers

  • 50years in practice
  • 2generations of designers
  • 220+products designed
  • 24awards and distinctions, including 3 ADI Compasso d’Oro awards
  • 30companies we have worked with
  • 9sectors we have designed for

Our designs balance brand identity and heritage, product function and technical feasibility.

Sketches, variant sheet and sheet-metal details in productionPaper models of the three volumes next to a human silhouette to scaleScale model of the control panel held next to the printed proposalBruno Gecchelin meeting the company in front of the models on the table
KRA/KRO chiller · Kelvin Italy — Scale models presented to discuss the design options and select the best proposal.

The value of a design lies in making the right choices and, when needed, in proposing what does not yet exist. Our judgement is grounded in fifty years of working with industry.

We also use artificial intelligence to explore a wider range of possibilities, not to choose between them. A convincing image is a starting point, not yet a product that can be manufactured and meets a company’s needs.

Our judgement has developed project by project: form grows out of function and the way a product will be made. Materials and manufacturing processes are not constraints to address later, but the starting point for the idea. AI’s knowledge of all this is limited to what is contained in its training data.

How we work

Project stories

How products take shape

Every project begins with real-world constraints. Working with the client, we turn those constraints into solutions that can be made and tested.

Five approaches, chosen to suit the project.

Everything starts with drawing by hand: it is how designers think through a problem and explore their first ideas, and it remains part of every stage that follows. Guided by experience, we then decide which approaches to use, how many and in what order. The combination varies from project to project, as the examples show.

Drawing by hand: Virgola, iGuzzini 1981
  1. Borrowing from another field

    The solution may come from another sector. Applying materials and technologies in a different context opens up more ways to find the right answer for the client, often one that is new to their industry.

    Case studyShuttle · iGuzzini

  2. Understanding the question

    A brief may unintentionally describe a possible solution rather than the underlying problem. Our task is to identify the problem the company wants to solve and use it as the starting point for finding the best answer, even when that answer is unexpected.

    Case studyMinimaxxi · Whirlpool

  3. Discussing what we can see

    Hypotheses become models to put on the table. It is how the company can understand, discuss and choose between options that, judged on technical specifications alone, are equivalent.

    Case studyChiller KRA/KRO · Kelvin

  4. Refining along the way

    Models and prototypes allow us to test the design as it develops, step by step. They may reveal a better version of a design that already works. When that happens, we change course before detailed engineering begins.

    Case studyLigea · Italamp

  5. Updating without changing the character

    Technologies and manufacturing processes evolve, and a product can benefit greatly from these advances. Updating it without losing its character is a delicate task that calls for care and attention to detail.

    Case studyMezzaluna · Skipper

Alongside hand drawing and handmade models, we use generative AI, 3D modelling and 3D printing to explore a wider range of possibilities. We make the decisions ourselves, using the physical model to assess proportions, materials and how the product is used.

Five situations in which companies call us.

  • Entering a new market

    A product that makes the company credible in a new field.

    Virgola
  • Bringing coherence to a product range

    Turning products developed individually into a coherent family.

    Shuttle
  • Moving a stalled project forward

    Reframing the question when a project has stalled.

    Minimaxxi
  • Turning a technology into a product

    Giving form to a light source, a material or a manufacturing process.

    Wing
  • Renewing without losing identity

    Updating an established product without changing its character.

    Mezzaluna

Does this sound like your situation?

Let’s talk

Where we explore new solutions.

Projects we initiate ourselves: responses to competition briefs or proposals developed independently, arising from research into materials and technologies. We develop them through to the model or prototype stage, just as we would for a client. Here is a selection.

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  • The smartphone frames the vegetables in the blender jar; the gazpacho recipe appears on the display

    Smart Blender

    Experienced cooks and beginners need different things from the same blender. A touchscreen replaces the control dial, offering two modes: Easy and Pro. Beginners receive guidance as they build their skills.

    • UX/UI design
  • The hexagonal texture of the 3D fabric lit by the LED

    3D knitted fabric lamp

    Can a fabric developed to let shoes, backpacks and mattresses breathe also let light through? The diffuser ships flat and takes shape only when fitted to its LED base. It works indoors and outdoors.

    • Materials
  • The heated bar with a light blue towel, next to the washbasin in a boat bathroom

    Infrared towel warmer

    On a boat, the bathroom is small and damp, and towels never seem to dry. A cantilevered bar that pivots left, right or upright uses infrared heat to dry them, without exposed hot heating elements.

    • Function
  • The glass top resting on the spacers, above the second top that holds the legs in place

    Demountable glass table

    A glass tabletop that simply rests in place, held by its own weight. A lower glass panel with openings holds the legs in position, while the tabletop rests on spacers above it. The components lift apart for disassembly and can be shipped separately.

    • Shipping and assembly
  • Three floating houses along the bank of a city river, with a rowing crew in the foreground

    Sun-o-rama

    A compact home for young people that occupies no land: it floats on an urban river and turns like a sunflower to keep its solar panels facing the sun. Several units can form a small off-grid community.

    • Typology
  • Two Colors pencils in recycled graphite: one lying down with its yellow end, the other standing on its tip

    Colors

    Pencils designed to help children who find it difficult to distinguish colours identify them by touch. Rounded ridges indicate warm colours; angular ridges indicate cool colours, with a shape suited to a fist grip. Recognised with an award in 1998, the design is now being reimagined in recycled graphite waste, with no sharpening required.

    • Ergonomics
  • Detail of the bookcase: the folded sheet-metal uprights, the wooden drawers and the lit display cabinet

    Folded sheet-metal bookcase

    How can sheet metal lose its sharp-edged appearance? By folding it back on itself around a generous radius until it becomes a substantial upright. Two uprights support shelves, cabinets and drawers: a proposal for a company already skilled in metalworking.

    • Manufacturability
  • The two prototypes: the floor sphere switched on, with its red cable, and the table sphere on its conical base

    Armillary spheres

    Two lamps from the geometry of the armillary sphere. The table one is portable and battery-powered: only the base goes to charge, the sphere stays put. The floor one, for indoors and out, is aimed by changing the way the structure rests.

    • Form

Why us

We are your senior design partner, working with you from initial idea through to production. Together, we test every design decision using models and prototypes and take personal responsibility for those decisions.

  • Bruno Gecchelin
    Bruno GecchelinFounder
  • Lorenzo Gecchelin
    Lorenzo GecchelinPrincipal

Working together

Your engineers at the table, from the first model.

We bring models and prototypes to the table while design options are still open, and discuss them with the people in your company who know the product, the manufacturing processes and the market. This brings cost, tooling and assembly issues to light while there is still scope to make changes that matter. Decisions are made together, based on something everyone can see: by the time the design reaches production, your teams already know it and have helped shape it.

What are you looking to achieve?

Thinking about a new product? Tell us where you’re starting from: a brief, an idea or a project that has stalled. You’ll hear directly from the designer who will work on it.