Lighting

Antonangeli

Antonangeli was founded in 1977 as a manufacturer of fabric lampshades for decorative lighting, a craft requiring both technical skill and aesthetic judgement. For many years, the company also worked with ceramics, drawing on Tuscany’s long and enduring craft tradition. Its collaboration with Bruno Gecchelin began in the mid-1980s, with a series of ceramic lamps.

Clio table lamp in white ceramic with red reflector, Antonangeli
Clio, 1984. Photo: C. Broadbent.
Marlene floor lamp with yellow and white reflector on a stem, Antonangeli
Marlene, 1985. Photo: C. Broadbent.
Talia lamp in undulating pale ceramic with two red reflectors, Antonangeli
Talia, 1984. Photo: C. Broadbent.
Two Cuma pendant lamps, one white and one black, hanging from red cables, Antonangeli
Cuma, 1984. Photo: C. Broadbent.
White Boxer wall lamp with pleated surface, Antonangeli
Boxer, 1986. Photo: C. Broadbent.
Cassandra lamp with a large tilted white screen, Antonangeli
Cassandra, prototype. Photo: C. Broadbent.
Two Videha pendant lamps with crossed cables, Antonangeli
Videha, 1988. Photo: C. Broadbent.

These designs combine ceramic and light in a new way, exploiting the material’s capacity to be shaped into expressive forms that interact with light.

Copper-coloured Volo wall light, lit, on a dark wall, Antonangeli
Volo, 2009.

Over time, production shifted towards metal, using a variety of processes, finishes and colours. More recently, as LED technology became established, Studio Gecchelin designed several collections of indoor wall and floor lamps for Antonangeli.

Detail of the Coupé floor lamp with its two brass-coloured cylindrical screens, Antonangeli
Coupé, 2023.
Three Coupé floor lamps in brass, white and black, Antonangeli
Coupé: the three finishes.
Semicircular brass-coloured Opera wall light, with light emerging from the sides, Antonangeli
Opera, 2019.
Two Opera wall lights in different sizes on a pale wall, Antonangeli
Opera: the two sizes.

Unless otherwise stated, images are sourced from Antonangeli’s catalogues and published solely to document the studio’s design work. All rights remain with their respective holders, as set out in the Legal notices.